Teaching in Tuscany - Villa Domme December 07 2017
Villa Domme 'The Mysteries of Female Dominance - Realm Arts™ course' in Tuscany, 9 - 16 June 2018.
In June 2018, I am teaching a course in the 'Mysteries of Female Domination - Realm Arts™ course' in Tuscany in Italy. I am naturally very excited about this.
I have been teaching a Dominatrix Seven Realm Arts course in Melbourne which runs over 8 fortnightly classes, which has been very popular and run repeatedly due to demand. However it's prohibitive for people to attend from overseas, due to the way it's spread out 16 weeks with fortnightly classes, and the geographical location of Melbourne Australia being very far to fly to from the UK and Europe.
Accordingly I have put together an intensive and immersive retreat style certificate course in domination, which runs over 7 days with accommodation on site in a Tuscan villa.
Within a month of announcing and offering this course, I've received bookings from female dominant women (and in some cases submissives) people in the Netherlands, UK, USA and Australia, who will all be flying over to attend.
Villa Domme has 10 bedrooms, of which 8 are now booked and confirmed, and the course is going ahead. There is still place for a couple more people to fill up the villa and course, if anyone who reads this blog entry has the desire to attend - I suggest you contact me promptly.
The course includes teaching in all the main areas of the Dominatrix's craft, which I conceptualized in my book as the "Seven Realm Arts" (Chapter V, 'The History & Arts of the Dominatrix'). This framework and my book has become the curriculum used by Mistress training in various places around the world.
I have been putting together domination literature through the ages, which elucidate the Dominatrix / Mistress in power and command, as well as the interplay with her subject - whether he be submissive, slave, servant, schoolboy, cross-dresser or other role / identity.
I will be taking the course participants on a day tour of the Uffizi in Florence taking in artwork on the theme of the "power of women" in art. This was a specific genre of Renaissance art, in which men are brought down by female allure and womanly wiles, and thus ripe for viewing and discussion.
In addition, I am keen to integrate material which has come from my new research on ancient Goddess rituals practised in the pre-Christian era. These includes preparation for the quršu - the "fucking ritual" quite literally translated from Akkadian, which included bathing and beautification rituals, setting up the bed with flowers and incense, sacred music and songs of desire, and the erotic coupling of the Goddess with the King-God, followed by a procession and revelry in which the community joined in the feasting and celebration.
These sacred rituals practised for three thousand years - offer insight into the ritual energetic of fuelling female desire and power.
I am also interested to expand on the notion of the sex Goddess as "Lady of the Largest Heart" as she was known in the literature. As a figure who attracted people of diverse sexual identities to her, with special roles offered within her cult, including for people of third gender, gender ambiguity, the cross-dressed / transformed and sex workers (or perhaps better put - sex specialists, in which the "kissing of the phallus" was one of their craft arts).
There is also evidence that the Goddess (likely played by her priestess) practised a "dance (or game) of domination" as part of her rituals. These practises appear to have been culturally transmitted to the cult of Artemis Orthia on Sparta, which although used upon the "ephebes" in a context of military training, in my view had their roots in sexuality and fertility rites. Aspects of mystery religions also included whipping, as seen in the wall fresco in the Villa of Mysteries in Pompeii.
The course includes accommodation in the villa, all breakfasts and lunches and dinner on 3 nights (with the remaining nights allowing some freedom to explore local restaurants or cook at the villa, with eateries and supermarket just a few minutes walk away). It also includes equipment needed for the course, and a mobile tool-kit of items which I have personally selected. And of course the art tour.
Full information is on the website https://www.villadomme.com/
For any inquiries relating to the course, you can contact me at email@example.com or contact firstname.lastname@example.org